As should come as no surprise to his readers, Reggie rather enjoys visiting historic house museums. He has happily done so his entire life, starting from when he was a boy growing up in Washington, D.C., a metropolis rich in historic house museums both within its boundaries and in the surrounding counties of
Virginia and Maryland.
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| The front of the Bartow-Pell Mansion in Pelham Bay Park |
Reggie visits historic houses because he appreciates the beauty of their architecture and contents, their historical significance, and the window they provide on how this country's elite lived in earlier times. The decoration of such houses has, in some cases, informed
Reggie's choices in furnishing his own residences.
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The house has a large entrance hall with a
dramatic, sweeping staircase |
This past weekend we found ourselves in Manhattan, again, instead of at our beloved
Darlington House in the Hudson River Valley. With a lazy two days ahead of us with no appointments or obligations we decided to visit a number of the city's historic house museums.
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The hall was once heated by this
early nineteenth century iron stove |
New York is blessed with (or burdened by, depending on who you are speaking with) a large collection of historic houses open to the public, many of which are located in its public parks. Most are operated in tandem by the Historic House Trust of New York City and the
City of New York Department of Parks & Recreation.
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| The north parlor of the house's grand double parlor |
The
Historic House Trust of New York City is a worthy, not-for-profit organization that provides essential support for houses of architectural and cultural significance that reside within the city's parks and that are open to the public.
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| The south parlor of the house's double parlor |
The Trust has rescued many of the city's house museums from dereliction in recent years, a period in which the City's resources available for supporting such institutions has dwindled. Reggie is most grateful that the Trust has stepped up to the plate to ensure the survival of these house museums.
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Looking north through a doorway leading into
the south parlor and the north parlor beyond |
Reggie encourages his readers to consider making a donation to the Historic House Trust of New York City (see link above), as it relies on support from the likes of Reggie and his fellow travelers.
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An orangery designed by Delano & Aldrich and
added to the house by the International Garden Club
in the early twentieth century |
Now, getting down to the inspiration for this posting. The first house we visited during our city weekend was the
Bartow-Pell Mansion Museum in Pelham Bay Park, in the Bronx. It was an easy half hour's drive from the UES of Manhattan.
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Mrs. Charles Frederick Hoffman, painted ca. 1930
(née Zelia Kumbhaar Preston)
Mrs. Hoffman was the founder and President of
the International Garden Club and
the Newport Garden Club, and
the rescuer of the Bartow-Pell Mansion |
The Bartow-Pell Mansion sits on a handsome parcel of land facing east across Pelham Bay toward Long Island Sound.
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| A sitting room on the ground floor, opening off the main hall |
The land on which the house stands was purchased by
Thomas Pell in 1654 from the local Siwanoy Indians, and is at the core of what had once been the 10,000 acre Manor of Pelham.
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| The house's dining room, with its table laid for dinner |
Thomas Pell's nephew John Pell built a house near the site of the present mansion in 1671, in which four generations of Pells lived until the manor was divided shortly after the Revolutionary War.
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Another view of the dining room.
What's for dinner? |
In 1836, Pell family descendant Robert Bartow, a well-connected, wealthy publisher and printer from New York City, purchased part of the original manor and built a grand house in the then fashionable Greek Revival style. The imposing gray stone house is composed of a three-storey main block flanked by two wings, and is what is today known as the Bartow-Pell Mansion.
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| Let's go upstairs and see what's up there! |
When the house was built the surrounding area was bucolic and undeveloped save for a number of other large country estates belonging to the city's elite. The house stood among pastureland, orchards, and lawns sloping down to Pelham Bay.
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Contrary to what many people think, such
niches were not meant to allow for carrying coffins
downstairs, but rather to hold statues as shown here |
The Bartows divided their time between their country house and a townhouse in Manhatttan, where they spent the cooler months of the year. Mr Bartow and his wife, the former
Maria Lorillard, had seven children.
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An early nineteenth century Bartow family
needlework mourning picture |
The house remained in the Bartow family for fifty years, by which time the area was no longer as desirable as it once had been for those seeking the serenity and quietude of country estate living.
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| A view into the upstairs family sitting room |
In 1888 the Bartow's children sold the estate to the City of New York as part of the new Pelham Bay Park. The house and its grounds entered into a period of neglect and decay.
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The quality of the textiles, upholstery,
and carpets used throughout the house
is impressive |
In 1914, the good ladies of the International Garden Club* adopted the mansion as their clubhouse, ensuring its survival at a time when neighboring estates were being demolished.
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Another view of the upstairs sitting room
(Reggie admits he snuck across the barrier to take this photograph) |
The Garden Club commissioned the architectural firm of
Delano & Aldrich to modernize sections of the house and to restore its Greek Revival details.
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The supremely elegant master bedroom, with bedstead attributed
to Charles-Honoré Lannuier |
In 1916 the Garden Club installed an elegant walled and terraced garden behind the house, leading out to lawns and fields sloping down to Pelham Bay.
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| One of the house's secondary bedrooms |
Further plans to establish an array of formal gardens were interrupted by the onset of World War I, and were never completed. The Club hired landscape architect
Ellen Biddle Shipman to redesign the gardens in 1927.
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| Another secondary bedroom, with freshly laid sea grass matting on the floor |
In 1936, during one of the hottest summers on record, Mayor Fiorello H. La Guardia moved his staff north of the city to the house, and directed his affairs of the City from a telephone bank installed in the basement.
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The rear facade of the house showing the handsome ironwork balcony
original to the house |
Ten years later, in 1946, the International Garden Club opened the Bartow-Pell Mansion to the public as a house museum.
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A late winter's view out over the terraced gardens in the rear of the house.
Pelham Bay (and the Pelham Bay Parkway) can be glimpsed in the distance |
Today, the interiors have been thoughtfully and carefully restored to an approximation of their 19th century appearance.
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| Looking back towards the house from the terraced garden |
A dramatic, free-standing spiral staircase rises from the house's entrance hall, connecting parlors and the dining room on the ground floor with the family and staff bedrooms above. Mahogany doors open onto spacious double parlors on the ground floor with handsome carved marble fireplaces and tall windows that look out onto the elegant, terraced garden. The house includes a large, Colonial Revival style orangery that was added by the Garden Club during the Delano & Aldrich renovation.
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The front facade of the house showing its original
second storey iron balconies. It is missing the shutters
that once hung on its windows.
(Reggie would prefer it if there wasn't so much asphalt
covering the ground in front of the house...) |
The Bartow-Pell Mansion's interiors are beautifully furnished with period antique furniture made by New York City's most noteworthy cabinetmakers of the early nineteenth century, including examples from the workshops of Duncan Phyfe, Charles-Honoré Lannuier, and Michael Allison, among others.
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A view of the front of the Bartow-Pell Mansion, ca. 1870
Image courtesy of the City of N.Y. Department of Parks & Recreation |
Furniture, decorations, and art have been donated to the house museum and also loaned to it by the
Metropolitan Museum of Art and the
Museum of the City of New York.
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The empty decorative niche in the facade
of the front of the house |
The Bartow-Pell Mansion is listed on the National Register of Historic Places, and is both a National Landmark and a New York City Landmark.
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The estate's coach house, built in 1842, was not open
the day Reggie visited the Bartow-Pell Mansion |
The house and gardens are still operated by the International Garden Club.
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The sign at the entrance gates to the
Bartow-Pell estate |
Reggie enjoyed visiting the Bartow-Pell Mansion and its gardens, and he encourages his readers to visit the estate as well. Doing so provides a unique opportunity to take in a rare survivor of refined and elegant country house living by members of the city's highest elite during the middle decades of the nineteenth century.
* Reggie has not been able to find any information about the International Garden Club, beyond what is contained on the Bartow-Pell Mansion's website. He would be most grateful to any of his readers who know more about the Club if they would share it with him and his readers.
A special thanks to the Bartow-Pell Mansion Museum & Gardens and the Historic House Trust of New York City. Reggie has consulted and relied on resources published by both entities in this posting.
Except where noted, all photographs by Reggie Darling and Boy Fenwick.
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